I did a photo shoot for another lab owner yesterday and thought you'd like to see the setup that i used. The client wanted two "looks" - one where the model and restorations was floating in a sea of black and another where the restorations were in a perfect reflection. The first one - i used a piece of black cotton cloth i got from a fabric store. The second i used a panel of mirror laid flat on the angle board i was using. (see photo)
My lighting setup was the Macro Twin Light with the A light (left) rotated to the bottom and lowered in output to 1/64. The B light set to 1/8 was gaffer taped (NOT duct tape) to a boom arm and extended to directly over the model at about 2 inches. The closer the light is to the subject - the softer and more wrapped around the subject the light appears to be. Overall both lights were set to 1/3 of full power for the main power output.
Also to reduce a pesky shadow under the restoration against the model - I added one of my Elinchromes set to its lowest setting and set to trigger on the flash of the Twin Light. This one just acts like a kicker to soften the light. While the pict looks like i was shooting in the dark, it was at normal room light in the room. I just snapped this shot off with a separate camera to show the setup. It had the Elinchrome radio trigger to set off the monolight.
The camera is set up on a Gitzo carbon fiber tripod with an RSS ball head, it is a Canon EOS 5D Mark II with the 100mm macro and camera both set to manual focus and control. The shutter was 1/125 and the ƒ was 22 to 32 depending on what i was going for and i used a remote shutter trigger. I also would move the boom by hand to where i wanted it for each shot, since the coil cord kept springing back.
I wanted to use the 5DmII because its a full frame 21 megapixel sensor and these images are going to be used in presentations. Sorry I can't post any actual images - as they are for the client and not me. But eventually you will see some.
I lightened the above image so you could see it a little better - i just liked the top one cause its more dramatic...
This was a location shoot at the other lab, so i had to bring everything with me. At one point i used the foam core to surround the restoration and then as I noticed the harsh shadow, i used a folded piece of paper to reflect light back onto it to reduce the shadows - but in the end the Elinchrome came through.