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protek25
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I guess it's down and dirty, but I found that picosep, from renfert, works great as a seperating medium. I use Hi-Tec Xtreme resin die stone and Dr. Smooth stone liquid/water for all my working models, and that combo absorbs very little moisture. I also use as thin a wash as possible of anybodies thinner based hardener, just for habits sake. Then, I use the dry powder method to apply synspar margin porc, and a condensing brush to condense, and smooth it out. The more sparse the application, the better. It shrinks much less. I glaze all my work under vacuum and I use that program to fire the margins. They come out under fired, but very sharp. Sometimes a little correction is needed, if the shoulder is a deep one, but usually it is very close. When I build the porcelain, I use an opaceous body around the margin, condensing it again with condensing brush, then a regular build up. The margin finishes vitrifying on the body bake, and keeps its sharp edge.
Works for me, though the investment liquid method for bridges sounds interesting!
Works for me, though the investment liquid method for bridges sounds interesting!