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Lab talk, the good, the bad, and the ugly
Porcelain
Contacts
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<blockquote data-quote="Car 54" data-source="post: 275502" data-attributes="member: 85"><p>I prefer to overbuild them a bit, and add a little porc. under the contact area after I remove it from the model. At least if you have to add on this way,</p><p>you'll be adding on to a canvas that's pretty much already there, making add-ons less of a struggle. It is still something that at times can take me 2,</p><p>sometimes even a 3rd add on during the glaze, depending on the path of insertion. I like, and so do my accounts, broad and deep contacts whenever and wherever I can in harmony with the tissue and emergence.</p></blockquote><p></p>
[QUOTE="Car 54, post: 275502, member: 85"] I prefer to overbuild them a bit, and add a little porc. under the contact area after I remove it from the model. At least if you have to add on this way, you'll be adding on to a canvas that's pretty much already there, making add-ons less of a struggle. It is still something that at times can take me 2, sometimes even a 3rd add on during the glaze, depending on the path of insertion. I like, and so do my accounts, broad and deep contacts whenever and wherever I can in harmony with the tissue and emergence. [/QUOTE]
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Lab talk, the good, the bad, and the ugly
Porcelain
Contacts
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